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Beyond its standard choral repertoire, the PPC is likewise active in the domain of opera, working regularly with the National Theatre in Prague, and since 2010 holding the status of choir in residence at the opera festival of Bregenz, Austria.Apart from these commitments, the PPC engages in a number of its own projects.

The second, a recording of Bohuslav Martinů´s The Epic of Gilgamesh (Supraphon, 2017), under the baton of Manfred Honeck, won several awards in the United Kingdom, plus another Diapason d´or.

He is already much in demand as an oratorio and concert singer and has been invited to perform as soloist with orchestras such as the Leipzig Gewandhausorchester, the Dresden Philharmonic, the NDR Radio Philharmonic, the Gürzenichorchester Cologne as well as the Accademia Nazionale di Santa Cecilia and the London Symphony Orchestra; he has worked with conductors such as Sir John Eliot Gardiner, Daniele Gatti, Hartmut Haenchen, Ludwig Güttler, Peter Schreier, Andrew Manze and Leopold Hager. Thomas Choir of Leipzig and with the Dresdner Kreuzchor.

Patrick Grahl’s concerts in the 2018/2019 season include Mendelssohn’s with the Czech Philharmonic Orchestra conducted by Manfred Honeck Besides his many commitments on the concert and opera stage Patrick Grahl also has a dedicated interest in chamber music projects and recitals, for instance with his male voice quartet Thios Omilos or the ensemble Barockwerk Ost, with which in 2014 he won 1 prize of the Advancement prize for Early Music awarded by Saarland Radio and the Academy of Ancient Music in the Saarland.

In their presentation, the choir has worked with eminent international orchestras (e.g.

the Czech Philharmonic, Berliner Philharmoniker, Israel Philharmonic, St Petersburg Philharmonic, Staatskapelle Dresden or Wiener Symphoniker, among others), and conductors (including Daniel Barenboim, Jiří Bělohlávek, Christoph Eschenbach, Vladimir Fedoseyev, Manfred Honeck, Jakub Hrůša, Tomáš Netopil, Gianandrea Noseda, Philippe Jordan, Fabio Luisi, Zubin Mehta or Sir Simon Rattle).

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Three Bell Strokes Gregorian Chant: Requiem aeternam Reading*: Letter of Mozart to his father, 4 April 1787 Wolfgang Amadeus Mozart Maurerische Trauermusik C Minor K 477 (479a) Gregorian Chant: Domine exaudi orationem meam Wolfgang Amadeus Mozart Laudate Dominumfrom Vesperae solennes de Confessore K 339/5 Gregorian Chant: In quacumque die Reading: Nelly Sachs (1891-1970)„Wer weiß, wo die Sterne stehen“ „Wenn im Vorsommer“ Wolfgang Amadeus Mozart Requiem K 626I. Kyrie Reading: Book of Revelations 6, 8-17 Wolfgang Amadeus Mozart Requiem K 626III.

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