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We intend to examine specific aspects of the organization of comics' narrative universe, beginning with an analysis of the most dynamic segments of Hergé's fictional world.

Especially in the context of The Adventures of Tintin, we focus on the most agitated situations of several episodes of this work, characterized by an emphasis on the " narrative mechanics " (Fresnault-Deruelle, L'Éloquence) of such segments: our attention on this thematic universe oscillates between the action routines of these stories (such as walking on the street, having a coffee, or going into a room) and situations of a more intensified nature (such as a challenge that is accepted and performed, an involuntary accident that befalls a character, or a problem that is solved).

From a theoretical point of view, we are initially very close to the characterizations made by Roland Barthes—at the time he sought to establish a program for Structuralism—about two functions that govern narrative O artigo introduz o viés do entrecruzamento entre comunicação e estética através de dois percursos teóricos.

O primeiro deles, de espectro crítico mais amplo e bastante reconhecido, volta-se para a crescente presença das mediações técnicas, problematizando a racionalidade instrumental no domínio da cultura enquanto instância articuladora da experiência da modernidade.

Propomos aplicar uma heurística da análise de formatos seriados de televisão, considerando sistemas de redundância textual e de horizontes estéticos de recepção (consignados pela história da arte como “marcas de estilo” das obras).

Observamos o funcionamento de elementos da encenação audiovisual dos seriados, no estatuto “aspectual” que guia o reconhecimento dessas obras, na acolhida presumida dessas marcas estilísticas nos tecidos narrativo e plástico das séries.

O argumento mais completo deste ensaio se organiza a partir do estabelecimento de algumas matrizes temáticas mais recorrentes da cobertura visual de acontecimento no fotojornalismo da segunda metade do século passado.

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By using our site, you agree to our collection of information through the use of cookies. Undergraduated in Journalism, at the Federal University of Minas Gerais (1987), Master's Degree in Communications at the University of Brasília (1991), and Ph D in Communications and Semiotics at Catholic University of São Paulo (1998).

Como campo de provas dessa vigência aspectual do estilo em seriados televisivos, elegemos a obra do dramaturgo estadunidense Aaron Sorkin, nos concentrando sobre o caso de The West Wing, na cooperação continuada estabelece entre ele e seus encenadores.

This article proposes an elementary structure of graphic humour, departing from the examination of its more constant narrative schemes.

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My main researching interests are in Semiotics and Philosophy of Language, Aesthetics and Sciences of Art, and Narratolgical approaches towards pictorial representations in contemporary visual culture.

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