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The core of her work is a continuous exploration of desire, cultural expectations and the female body as commodity.Occasionally referring to her works as biopsies, Linder’s collages manipulate, disrupt and play with porn and glamour, exposing the latter as something we should be wary of.The contributing objects, however, signify a collective and human aspect of society, each representing an individual choice, to be used or consumed in a unique way by its consumer.Together these objects stand for the group or community, and as such they become democratic rather than authored.

One of the biggest cultural changes in the United States over the past 25 years has been the widespread acceptance of sexually explicit material - pornography.He has exhibited widely in institutions such as KIASMA Museum of Contemporary Art, Helsinki (2013, 20), Henry Art Gallery, Seattle (2010, 2013), Fundació Joan Miró, Barcelona (2010), Schirn Kunsthalle, Frankfurt (2011) and Moderna Museet, Stockholm (2006).In 2007 he represented Sweden at the 52nd Venice Biennale.Consumer demand is so strong that it has seduced some of America's biggest brand names, and companies like General Motors, Marriott and Time Warner are now making millions selling erotica to America.Last November, Correspondent Steve Kroft reported on this billion-dollar industry.

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Examining the way that women are depicted across visual culture, these collages draw attention to institutionalised misogyny.

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